I was profoundly charmed by the mystical “Transition of Zadok Allen” which concludes the prose section of the book. The high level of inter-textual continuity is surprising, in that none of these stories are mere pastiches. Geographic outliers include Big Sur (“The Deep Ones”), Chicago (“Rapture in Black”), and Essex, England (“Custos Sanctorum”). The majority of the newer stories have very explicit links to the original Lovecraft story, usually mentioning Innsmouth by name and often setting their principal events in the same mythical New England town. I preferred these 1980s and 90s pieces to the 1960s and 70s work of James Wade and Franklyn Searight, although the Wade stories in particular can be seen as predecessor tales themselves to Alan Moore’s splendid Neonomicon. That element is played up well in a number of the latter-day tales, most especially “Innsmouth Gold” (Vester), “Custos Sanctorum” (Johnson), “Rapture in Black” (Rainey), “Live Bait” (Sargent), and “Devil Reef” (Glasby). But in both the Chambers and Cobb stories, the ichthyoid men are isolated freaks of nature, whereas the terribleness of the Lovecraftian Deep Ones has a great deal to do with the extent of their society, or even conspiracy. Chambers story I had read that wasn’t in The King in Yellow, and it was quite good in fact it may goad me to read the remainder of In Search of the Unknown, the site of its original publication. “The Harbor-Master” was the first Robert W. The first and least relevant is the brief Dunsany Pegana piece “Of Yoharneth Lahai.” It may be the source of the name Y’ha-nthlei as Price contends, but it contributed no substance to Lovecraft’s Atlantic citadel of the Deep Ones. Price has identified three predecessor stories.

With the exception of the three poems placed at the end, the contents are arranged roughly chronologically by date of first publication. But I found this collection very strong on the whole. Given the fondness that I have for “The Shadow over Innsmouth,” I thought the other stories might have a hard time measuring up.

But I’m glad I didn’t: it’s one of my favorites, and it really held up to the repeat reading, which was further enhanced by some of Price’s remarks in the general introduction, where he discusses the initiatory dimension of the tale. In this case, center stage is given to the Deep Ones of “The Shadow over Innsmouth.” I almost skipped re-reading the Lovecraft story itself, since it is the longest in the book, and I always have other things to read. Price, generally take a Cthulhu Mythos “entity” and supply a full range of literature for it: the key Lovecraft stories, likely prior influences, and later derivations. The Chaosium-published “Cycle” books, as edited by Robert M. Hermetic Library Fellow T Polyphilus reviews The Innsmouth Cycle: The Taint of the Deep Ones in 13 Tales selected and introduced by Robert M Price, part of the Call of Cthulhu Fiction series.

The Innsmouth Cycle by Robert M. Price